My Uncle Napoleon: A Comic Novel
“My Uncle Napoleon should leave properly adjusted American readers desperate for more of this howlingly funny — not to mention tender, salacious and magical — Iranian import.” – Cleveland Plain Dealer[read more>>]
“My Uncle Napoleon should leave properly adjusted American readers desperate for more of this howlingly funny — not to mention tender, salacious and magical — Iranian import.” – Cleveland Plain Dealer[read more>>]
Obeyd-e Zakani, who died in 1372 is among the great poets of Iran but little known in the West. This selection of his work is the first to be translated into English.[read more>>]
“This anthology is not only a timely introduction to an unfamiliar literature but offers as well illuminating insights into a society where the postmodern and pre-Renaissance still uneasily coexist. . . .[read more>>]
“An engrossing chronicle of life in Persia-just-turned-Iran by Simin Daneshvar. Her compassionate vision of traditional folk ways surviving amid the threats of modernity (including Allied occupation) give her work a resonant universality.[read more>>]
Terence O’Donnell lived in Iran from 1957-71 operating a farm from 1963-70 before returning to America, where he wrote Garden of the Brave in War, a memoir praised by critics as “a gem” and “a literary classic on a level with Out of Africa.” Seven Shades of Memory is his first collection of short stories.[read more>>]
“HOUSHANG GOLSHIRI (1937-2000) was a master stylist who wrote dense, elliptical prose, often with a (more or less) disguised political content.[read more>>]
Obeyd-e Zakani, who died in 1372 is among the great poets of Iran but little known in the West. This selection of his work is the first to be translated into English.[read more>>]
“A thoroughly contemporary work, a lament for a lost utopia and an elliptical and bleakly horrific account of incarceration and torture in the Iran of the Mullahs.” – Times Literary Supplement.[read more>>]
“In five intriguing stories, the formal detachment of Daneshvar’s prose reinforces her subtle revelation of repressive features in Iranian society. The author, one of the few wellknown women writers in Iran, is a feminist opposed to both political tyranny and religious fanaticism, themes obliquely indicated here.[read more>>]
“A veritable tour de force fusion of actuality, fantasy, and mystical transport. . . .[read more>>]